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Dusty is not just a film about grief - it’s a volatile, surreal collision of memory, addiction, and longing. Watching the film in full reveals a work far more chaotic, visceral, and emotionally daring than its premise suggests.

Sharisse’s Nothing Solid is a raw, intimate character study that treats anxiety not as a plot device, but as a living, breathing presence woven into every beat of the script. At its core, the story follows a 25-year-old woman navigating unexplained bouts of vomiting, an unsettling physical manifestation of mental unrest - while she tries to carve out independence amid mounting family pressure and the uneasy terrain of early adulthood.

Finise Avery’s Desperately Seeking Commitment is a witty, self-aware, and deliciously chaotic exploration of modern romance, one where chance meetings, cosmic signs, and questionable decision-making collide in a fast-paced comedic spiral. While the film itself remains in script form here, Avery’s writing paints such a vivid picture that you can practically feel the frenetic New York energy vibrating off the page.

Harry Waldman’s Bay For Blood is a taut, atmospheric short that leans into tension not through spectacle, but through the quiet, haunting burden of unresolved history.

Leonardo Valenti’s TV Man is the kind of scrappy, imaginative zero-budget short that reminds you why DIY cinema has such enduring charm. Shot in 1997 with nothing more than an S-VHS camera, two VCRs, a small audio mixer, and the enthusiasm of three friends, the film plays like a spirited love letter to the era’s guerrilla filmmaking - echoing the textures of Clerks, Slacker, and early Rodriguez, but with a distinctly Italian wink.

Simone Sarantuya’s GAIA is a hypnotic, meditative short that transcends traditional storytelling, offering instead a poetic visual exploration of the Greek mythological figure Gaia, the Earth Mother.

A heartfelt comedy about second chances, addiction recovery, and the powerful love between generations. After blowing a million-dollar lottery win, Louie is forced to move in with his tough, no-nonsense grandma. Together, through clashes and laughter, they find a path to healing.

THINK TANK, directed by Olaf Lenz, is a minimalist and visually striking short film that meditates on the internal struggle of decision-making. Through a surreal yet grounded metaphor, Lenz guides us on a contemplative journey about fear, hesitation, and eventual self-realization.

Enter the Room is a masterfully restrained psychological short that delivers emotional weight and visual tension in equal measure. With strong direction, standout performances, and moody cinematography, it leaves a lasting impression—though a slightly tighter narrative resolution could have elevated it to perfection.

In Appalachian Dog, director Colin Henning delivers a hauntingly poetic portrait of emotional estrangement and quiet resilience in a rural, post-war America rarely depicted with such care. Set in the hushed, rugged landscapes of Appalachia, this feature film is not so much about war as it is about the slow, painful aftermath — where silence becomes its own battleground, and reconciliation is more complex than forgiveness.

Shadow’s Whisper | Director: James Holloway | Writer: Claire Benton Shadow’s Whisper is a haunting symphony of fear, a film that doesn’t just scare but lingers in the deepest corners of your mind long after the screen fades to black. Directed by James Holloway and penned by Claire Benton, this horror masterpiece embraces the eerie beauty of silence, weaving an unsettling tale where shadows breathe, and whispers hold secrets older than time itself. From the opening frame, the

Fragments of Tomorrow | Director: Alex Carter | Writer: Daniel Reeves Fragments of Tomorrow is a mesmerizing dive into the depths of time, memory, and human destiny—a film that doesn’t just ask questions but leaves you haunted by the answers. Directed by Alex Carter and penned by Daniel Reeves, this sci-fi epic is more than just a visually stunning spectacle; it is a poetic meditation on the fragile nature of reality and the choices that define us. From the very first frame,

Echoes of Silence | Director: Lila Thompson | Writer: Jordan Miles Echoes of Silence is a film that doesn’t just tell a story—it breathes, lingers, and stays with you long after the screen fades to black. Directed by Lila Thompson and written by Jordan Miles, this short film is a testament to the power of visual storytelling, proving that silence can be louder than words. In a world saturated with noise, Echoes of Silence strips everything back, immersing the audience in an

Neon Boulevard | Director: Vincent Cole | Writer: Samantha Hayes Neon Boulevard is a film that doesn’t just tell a crime story—it throws you into its pulsing, electric veins and leaves you gasping for air. Directed by Vincent Cole and written by Samantha Hayes, this thriller is a love letter to the neon-soaked underbelly of the city, a place where crime and consequence dance under flickering streetlights, and redemption is a currency few can afford. It is a film drenched in

Canvas of Dreams | Director: Olivia Martins | Writer: Henry Blake Canvas of Dreams is not just a film—it is an experience, a deep, meditative journey into the complexities of ambition, love, and the cost of artistic obsession. Directed by Olivia Martins and penned by Henry Blake, this drama unfolds like a painting in motion, each frame a stroke of emotion, each scene an unraveling of human fragility. It is the kind of film that does not simply tell a story but invites you to

Love, Unscripted | Director: Ethan Rivers | Writer: Sophia Bennett Love, Unscripted is a love story that doesn’t feel rehearsed, doesn’t follow the clichés—it flows naturally, as if we are watching something truly unfolding before us. Directed by Ethan Rivers and written by Sophia Bennett, this film is a heartfelt, deeply personal dive into what it means to love, to let go, and to embrace the imperfections that make relationships real. The story follows Emma, played with stu

Melody in the Dark | Director: Natalie Owens | Writer: Jonathan Fields Melody in the Dark is a film that doesn’t just rely on music to tell its story—it breathes through every note, every haunting lyric, every moment of silence that carries more weight than words ever could. Directed by Natalie Owens and written by Jonathan Fields, this musical masterpiece is not just about song—it is about survival, about love, about the way music can be both a refuge and a burden. It is a

Beyond the Frame | Director: Richard Klein | Writer: Emily Dawson Beyond the Frame is not just a documentary—it is an exploration, an unraveling of the unseen, an invitation to witness the world in ways we never thought possible. Directed by Richard Klein and written by Emily Dawson, this deeply immersive film takes us on a journey through the lives of artists, photographers, and filmmakers who dedicate their existence to capturing moments that the world often overlooks. It

Crimson Fog | Director: Damien Cross | Writer: Veronica Shaw Crimson Fog is a horror film that lingers long after the credits roll, seeping into the subconscious like a nightmare that refuses to be forgotten. Directed by Damien Cross and penned by Veronica Shaw, this chilling masterpiece is not content with mere jump scares—it burrows into the psyche, unsettling the audience with an atmosphere so thick with dread it feels almost suffocating. Set in the eerie, fog-drenched to

The Last Tollbooth | Director: Marcus Lane | Writer: Rachel Ford There is something hypnotic about The Last Tollbooth , a film that does not just tell a mystery but submerges the audience in it, layer by layer, until reality and illusion become indistinguishable. Directed by Marcus Lane and written by Rachel Ford, this atmospheric thriller unfolds like a labyrinth where every turn leads deeper into uncertainty. It is a film that plays with perception, weaving an intricate puz